Saturday, 22 February 2014

When Ruskin was 'ill and infirm...'

To Mussoorie, on mission Ruskin

DSC03384-webThis year, 2014, my family’s New Year holiday to Mussoorie was dictated in great measure by Ruskin Bond. Long ago I used to be his fan. As a journalist I had trekked all the way to Landour to do an impromptu interview with Bond for Gentleman magazine. I still remember the 1994 article titled ‘A Bond With the Hills’.
Now it was my son, reading in the 10th standard, who had become a fan of Bond. ‘Baba, when will you take me too meet him,’ he constantly nagged me. My son was proud of his father’s association with Bond. Secretly, I too felt proud of my acquaintance with the celebrated author. Ruskin had told me how much he had liked my profile of his.
Our New Year getaway was at a cottage between Dehradun and Haridwar a motorable distance to Mussoorie where Bond lives. After two days of quite in the valley, my son would put up with no more postponement of our date with Bond. So off we headed to the ‘Queen of Hills’. Passing through the suburbs of Dehradun, I could hardly recognize the old city that had now become like any overgrown slum in the plains. Where had those forests disappeared?
There was so much dust and traffic now, I had half a mind to turn back, but egged on by my son I carried on.
The steep ascent to Mussoorie was a difficult drive with several sharp hairpin bends. Finally, I was relieved to reach Mussoorie without encountering a traffic jam. The plan was to park the car and trek to Landour where Ruskin lives.
But parking, with the New Year rush on, was full and we had no option but to drive uphill. It was a treacherous drive, and short of Landour I found myself stuck on a sixty degree incline in a narrow lane. There was oncoming traffic and the narrow lane in the market was clogged. Finally after some deft maneuvering by the local drivers, I could finally move. When I decided to park my car and trek the rest of the way a friendly cop came up to inform that I would be challaned. ‘A motor rally would soon be passing,’ he informed us. A vintage car rally in the narrow lanes of Mussoorie! Hell, I had to carry on driving, risking my limbs and life. Finally, negotiating a sharp climbing turn, I was at Landour close to where Bond lives.
Luckily, I found a parking space in a poor neighborhood. Strangely, that 1994 woman on the road, washing utensils, came back to mind. When I had asked her where I could find Ruskin Bond, she quipped, ‘Oh Rusky..!’ as though he were his buddy and pointed to a two-storied nondescript house.
I was a trifle disappointed that ‘Ivy cottage’, had no ivy or any other creeper clinging to it. On the last day of 2013 I felt at a loss trying to locate the same house. Fortunately, two school girls returning home rescued us and pointed to the house virtually opposite to where we were standing. It took me a while.
Then I recognized the steep stairs that I took to reach the second floor landing. But timid knocks on the door got no response. I rattled the door. Yet, there was no response. I went down to the road, disappointed. There was not a soul in sight.
Luckily, from the ground floor of the building a woman emerged and confirmed it was indeed Ruskin’s house. ‘There is a bell near the door, press it,’ she said. I went up again, followed by my son and pressed the bell. Minutes later a young man appeared. ‘You’re Suresh?’ I asked. ‘No, I’m his son, Rakesh,’ he said.
I reminded him of my visit in 1994 and said that I would be happy to be allowed in. The young man did not open the door as I had expected. ‘He is sleeping. He is not well and does not meet visitors,’ I was told. I told him I was a journalist; that my son was a great fan. He asked me to wait and disappeared indoors.
I thought Ruskin himself would come to the door and exchanged a confident glace with my son. It was Rakesh who came again to the door. ‘He’s sleeping, I cannot disturb him. He’s ill.’ There was nothing much I could do. But the prospect of returning empty handed was so embarrassing, I thought of a compromise. ‘Ok, will you allow my son to take a look at the desk where he writes?’
I wanted my son to see the Spartan room where the great writer worked (I wondered whether he still had his old typewriter). That would be some consolation. But Rakesh was firm, he couldn’t allow us in.
We descended the stairs back to the road, disappointed. While my son busied himself taking pictures of the house I felt a trifle sad. Sad, that perhaps that I would never see Ruskin again; sad that perhaps that he would never recover from his illness; sad that I had not kept my promise to my son.
That’s when I also noticed a bearded old man sitting on the street, his back to the bright sun. He lived in one of the tiny hovels on the narrow road. I decided to strike a conversation with him. ‘You would know Ruskin…Is he very ill?’ The man warmed up immediately. ‘Ruskin ill? No…no he fine.’ Then, taking his thumb to his mouth suggestively indicating the act of drinking, he said that, ‘every day he has his shot and takes his stroll in the bazar.’ I was dumbstruck. ‘But the young man in the house just told me that he was very ill,’ I protested.
He smiled knowingly. ‘Can’t blame him…you see Ruskin gets this regular stream of unexpected visitors…Anyone visiting Mussoorie just shows up at his door. He must be fed up.’ I could understand now, the old boy was entitled to some privacy. But I felt so cheated.
I chatted with the old man for a while, recalling my 1994 visit. He said he could fix a meeting with Ruskin just then. I said, ‘Let it be, I can understand him not wanting to be disturbed.’ I was also relieved that Ruskin was hale and hearty.
Just when we were getting into our car guess who we saw passing by in a car? Victor Banerjee, another famous resident of Landour. That was some consolation to my wife, the only one who caught a fleeting glimpse of Victor. Later, that night we were chilled to our bones. Mussoorie got its first snowfall of the season.
The writer is author of The Sergeant’s Son.
Ashim Choudhury
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Thursday, 23 January 2014

At Kinnaur in HP....


At Shiva’s Winter Home – KinnerKailash

Kinnar Kailash peak from Rekong PeoTen years back when I had traveled to Kinnaur it was on a bus from Shimla. Sitting at a window seat my heart was in my mouth for most of the treacherous journey as the bus hurtled precariously on those winding mountain-hugging roads. Below, deep down in the gorge flowed the Sutlej. In 2003 I was with friends. This time round I was with family, driving! The decision was something I would regret. Starting from Delhi at 6 in the morning our first night-halt is at Kumarsain forest guesthouse (FGH), some eighty kilometers beyond Shimla.
It’s a small town overlooking a vast valley. We leave Kumarsain by ten in the morning. On the way we stop for a panoramic 180 degree view of the Sutlej valley far below. In a little over an hour we are at Rampur, visiting the wooden palace, ancestral home of Virbhadra Singh, Himachal’s current chief minister. Rampur wears a festive look with post Holi celebrations still going on.
Shongtong is another four-five hour drive from here so we’re driving at a relaxed pace. After Jeori we stop by a wayside dhaba for lunch. Drinking water comes from the gushing mountain stream passing by. The free-flowing water is also used to wash cars, sixty rupees apiece! After lunch we take to the road which is soon littered with loose stones falling off the hills. It’s a lonely road along the Sutlej between steep craggy mountains.
The roads wear a bombed out look with huge rocks and boulders beside the roads. Well, a lot of dynamite has been used to widen the road till Rekong Peo and beyond to Puh where military supplies have to be fed. By the time we reach Karcham dam, slowed because of the poor road condition, it’s nearly four. “It will take you just an hour to reach Shongtong!” my FGH host informs.
Rachham Valley

Half an hour later, in the fading twilight, we discover that the road ahead of us has vanished! There’s just a little red flag fluttering on the road to announce the danger. I get off the car and inspect. Nearly half a kilometer of the road has fallen off, maybe, because of a faulty dynamite-blast. It’s eerie. We turn back to discover a detour that nearly goes down to the level of the Sutlej and then rises again. The only prayer on my lips is, ‘God don’t send a car or truck from the opposite direction!’ We negotiate the stretch in silence.
Fear silences you. But up on the main too there is not much solace. Parts of the road are wet and slippery with the melting snow. Then we come across a stretch that is like a ditch with stones hitting my undercarriage. I wish my car had a four-wheel drive. It’s nearly dark when my car stops in the ditch. A prayer later it moves again, skidding, slipping. My little daughter begins to cry. Everyone is silent. But soon the worst is over. We see some lights. I spot a lone army man.
“How far is Shongtong forest guesthouse?” He points ahead, “You’re nearly there.” Our group of eight gives out a collective sigh of relief. The gate to the guest house is open but there’s not a soul in sight. After several honks the caretaker arrives. The guesthouse is spanking new but there’s no electricity.
“There was a problem yesterday,” the caretaker informs. But soon his wife brings hot cups of tea bringing some cheer to the cold evening. Besides the FGH and an adjoining army camp there’s nothing in Shongtong. The only shop that sells tea and stocks candles has already closed for the night. We go to his house and he re-opens his shop.
The children get engrossed in two blocks of snow outside the FGH that have not melted yet. The dinner by candle light is an experience I will cherish for long. Menu – egg curry, dal, rice and chapatis. As Nanku and his wife supply us hot chapatis our voices get drowned in a downpour, the pitter patter is accentuated by the tin roof of the guesthouse.
Hearing the rains after long!
Early next morning, bed tea in hand, from the guesthouse kitchen door Nanku shows us the white peaks of KinnarKailash. It’s white with fresh snow. The fir trees on the lower reaches look like they have been powdered with a coating of white. “When it rained here last night, it was snowing up there,” Nanku explains. The previous night I had heard one of our Kolkata guests whine, “Why have we come this far…what’s there in this place after all the risk.” That same lady was now saying, “Oh ma kishundor!”
A short morning walk to the bridge across the Sutlej and we see a handful of men and women waiting for the bus to Shimla. Apparently, for a long time no bus had arrived from Rekong Peo just 8 kms away. It means the road could be blocked by a fresh landslide. This was quiet common. But soon, to our relief, the bus from Peo arrives. “How’s the road uphill?” I ask. The driver grins, “Ekdum first-class!
Half an hour later, we set off for Peo. It takes us nearly an hour before Rokong-Peo, nestled at the foot of the KinnarKailash, comes into view. “O ma go…so beautiful!” our Kolkata friends can’t stop drooling. We stop again for pictures. Fifteen minutes later we are at Peo, now a much bigger town than the two-hotel town I had known ten years back.
Literally under the shadows of the white KinnerKailash mountains, Peo took our breath away. After thupka at a tiny wayside stall and window shopping at the crowded market, we set off for Kalpa that offers the best view of KinnarKailash. Driving uphill, through swathes of white snow amidst the Chilgonza trees we were at Kalpa in less than half an hour. The children began to throw snow balls at one another the moment they got out of the car. The view of KinnerKailash from here simply dazzles!
“Where is the Shiv-ling from which KinnarKailash gets its name?” I asked a local. He points to an invisible dot among the white peaks and saying, “There…you see that speck….it’s a different colour…it changes colour five times a day.”
To be honest I couldn’t see the Shiv-ling. More attempts…and behold! I could spot a different color atop a small white peak. It was slightly orange. Later we met a young sardar from Mohali, a regular in Kalpa, who showed us the Shiv-ling through the tele-lens of his camera. It was clearly visible. “It’s a 70 feet tall rock,” he explained. And how come it changed color? “That’s got more to do with the angle of the light falling on the rock,” the strapping pony-tailed explained as we had lunch watching the glistening white mountains.
Legend has it that several hundred years ago Banasur, a local prince, meditated here and, pleased with his devotion, Shiva ‘expressed’ himself through the lingam. KinnarKailash is believed to be Lord Shiva’s winter-home. Every year locals do a ‘parikrama’ of KinnarKailash in the monsoon, a 40-km 4-day trek.
The best view of KinnarKailash is obtained in the morning when the sun’s rays tint the white peaks with pink and ochre. The scene, over the yellow dome of the Buddhist monastery straddling the scenic village, is ephemeral. Our own blinding view (because of the sunlight) from the mountain-facing balcony was not any less stunning. The Kolkata folks broke into poetry… “What our eyes have beheld today… the mind shall never forget…” Not surprisingly the only other tourist group we saw savoring the sights of Kalpa was another Bengali family.
Back at Rekong Peo we were disappointed to learn that our visit to Thangi, one of the most picturesque villages of Kinnaur, and Ribba, the home of the original ‘angoori’ made of grapes, had to be abandoned. “The road is blocked with snow,” we were told. Returning to Shongtong for the night, early next morning we returned to Karchham, from where we took the road branching off to Sangla. By noon we were at Sangla.
Our delight on seeing the snowcapped mountains around Sangla was short-lived. “The road to the forest guesthouse, on the other side of the Baspa is blocked with snow,” we were told. Fortunately the shopkeeper in Sangla who gave this information knew the FGH guard’s mobile number. The forest guard said, ‘Babuji wait for me, I’ll be there in half an hour.’ Half an hour later he was there. By then we had already taken up rooms in one of the few hotels that was open.
Since pipes were frozen most hotels had no water supply and not fully operational. The guard suggested that we trek down to “his” guest house to which we – barring three adults – agreed readily.
The excursion turned out to be a journey of discovery as we wound our way through the quaint village of Sangla. But, unlike a decade back, much of the old wooden houses with large-slate roofs had disappeared, giving way to ‘modern’ brick and cement structures. ‘The perils of development’, I sigh. Soon the river Baspa is visible and the guard points to a large cottage across the river on a mountain slope hidden by pines. It’s the guest house where we were supposed to stay.
Minutes later, running downhill, we are at the bridge across the Baspa. From here we get a panoramic view of Sangla village amidst white patches of snow. The road to the guest house is a slippery path because of the melting snow. Soon we are on the white snow-covered road in front of the guest house. Our feet go deep into the snow putting us off balance. Sangita, my wife actually falls flat. We guffaw.
Children start firing snow balls at one another. There’s so much fun and frolic, we forget about the hazards of just walking across to the wooden bungalow beyond the yard full of soft, white snow. The children keep falling off, but every fall elicits more laughter and fun. They are wet in their shoes but no one seems to bother. The guard brings a peeda, a flat stool, from his kitchen that the children use as a sleigh. Luckily, the guard has brought along a few packets of noodles that serves as our delicious lunch. From the Palava hut at the edge of the compound the scenic beauty of the river below and the village above, framed between snow clad peaks, is simply out of this world.
The trek back to Sangla market is arduous but the quaint sights and sounds keep us going. At the Hindu-Buddhist temple we take a break where locals give us a bag full of apples – offerings to the temple. The temple courtyard also serves as the community center where locals, mostly old men and women have their unending adda and steaming glasses of tea. These temples reflect a unique Kinnauri style of woodcraft architecture made by gifted local craftsmen.
By the time we reach the market it’s already dark. The family retires to the hotel. After my tipple I slink to tiny shop that is frying fish. It’s our last evening and I want to make the best of it. The night is cold despite the rum, quilts and Sangita. It is difficult to believe we’re into the first week of April.
Next morning, before returning, we drive down 14 kms to Raccham. This valley, with meadows turned snow-white, is easily the most beautiful place in Kinnaur. Luckily, it is still not colonized by the tourist promoters and retains some of its unique Kinnari charm. Chitkul, the last village some 10 kms further up is the last outpost of this tribal district.
e gave Chitkul a miss for want of time. “It’s the actual Switzerland,” a local entices us. ‘Switzerland does not have snow with such rustic charm,’ I wanted to tell him.

The author’s novel ‘The Sergeant’s Son’ was recently published by Rupa.
Ashim Choudhury
 



Sunday, 24 November 2013

My Travel Piece on Pushkar in The Hindu

http://www.thehindu.com/features/friday-review/history-and-culture/fair-and-fun/article5386709.ece

Fair and fun

ASHIM CHOUDHURY
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  • Pushkar fair also known as camel fair remains a big draw for tourists. Photo: Rohit Jain Paras
    The HinduPushkar fair also known as camel fair remains a big draw for tourists. Photo: Rohit Jain Paras
  • Foreign tourists enjoying a competition to measure the longest moustache competition during the Pushkar Fair last year. Photo: Rohit Jain Paras
    The HinduForeign tourists enjoying a competition to measure the longest moustache competition during the Pushkar Fair last year. Photo: Rohit Jain Paras

The Pushkar cattle fair transforms the holy town into a melting pot every November

Like all my travels Pushkar too happened on the spur of the moment. When I left home day had not broken yet. By the time we reached Dhaula Kuan to catch the Jaipur bound bus, daylight laid bare huge amounts of waste and litter on one of Delhi’s most important thoroughfares. There were pools of pee in front of the DSOI. And at the bus stand where we stood in the midst of garbage there was that unmistakable stink of urine. Every time I took in the dust and stink I was reminded of those smiling pictures of Madame Dikshit in ads that claimed how she had transformed Delhi into a world class city! ‘Madame, there’s a world beyond NDMC, and it stinks!’ I told myself as I grabbed a window seat. After changing buses at Jaipur and Ajmer, night had fallen by the time we reached Pushkar nestled in the lap of undulating hills.
The town surrounds the Pushkar Lake, formed by the percolating rain from the wooded surrounding mountains. I was revisiting Pushkar after a gap of nearly 25 years. Luckily not much has changed. But this time I was here for the famed Animal Fair or what is now popular as the Camel Fair. In truth the Pushkar mela has deep spiritual significance. “The tourists have subverted it with their Western culture…they have no respect for our ways…” lamented Vijay Sharma, a resident of Ajmer, my co-passenger. He said we were going to Pushkar on an auspicious day ‘when the Gods have risen’. This was ekadasi and the elevated state would remain for the next five days till the full moon day or Karthik poornima, when tens of thousands take a holy dip. This full moon also coincides with the birth of Guru Nanak and is celebrated as Guru parab among Sikhs and Punjabis.
“These five days are so auspicious that you can do any shubh karya.If as person’s horoscope gives you no auspicious marriage dates you can get married on any one of these days without consulting a pandit,” Sharma claimed. Lending credence to his take on a ‘spiritual destination’ the empty bus we boarded for Pushkar was suddenly packed to capacity with village folk headed for the mela — old, men, women and children. In less than a half-hour, driving down the winding hill road, we were at Pushkar’s desolate outskirts. Hurtling down the slopes one can reach the lake in five minutes. It was close to ten in the night when we went to the lake negotiating narrow lanes dotted with ancient havelis.
On the scoured ghats of Pushkar – there are 52 in all – hordes of villagers from distant villages across northern India headed for the cold waters for a cleansing bath. Throughout the night batches of pilgrims arrived in buses and trucks. After a dip they headed for the Brahma temple – Brahma the creator of the universe according to Hindu belief. The early morning aarti at the temple is an elevating experience. In all, the small town has over a 100 temples encircling the lake. But for the course of the mela, particularly the last five days of the festival it is the Brahma mandir where everyone is headed. This is said to be the only Brahma temple in the world. Why only one temple dedicated to the creator of the universe?
Legend has it that it was a curse from Shiva, the destroyer, to whom Brahma had lied. Another one says that it was his wife Saraswati who cursed him. He was to take part in a yagna, where Saraswati was supposed to be present. Not finding her there, Brahma married another low caste girl, Gauputri (passed through the gut of a cow to purify her). “No one will ever worship you!” Goddess Saraswati is said to have sworn. Atop a triangular hill overlooking Pushkar is the Mata ka mandir, dedicated to Brahma’s original wife Saraswati. Even if you are not a believer, a trek to Mata ka mandir is highly recommended as it affords a breathtaking view of the lake-town below. Some say the lake was formed when the petals of the blue ketaki flower fell from Brahma’s hands. Yet another says when Lord Shiva’s wife Sati died he wept so copiously it formed two lakes, one in Pushkar and the other at Ketaksha now in Pakistan. There are many such fascinating legends that make Pushkar one among the holiest of Hindu shrines.
But today Pushkar is better known for the camel fair, which is in fact a fair where chiefly cattle and horses are bought and sold in the run up to Karthik poornima. The dusty grounds on the fringes of Pushkar draw buyers and sellers of camels and horses from various corners of the desert State. The owners stay in tents pitched on the sandy grounds while their animals stay tethered outside for buyers to see and bid. We met Rudu Ram of Thaunda village who had a little five-month old pony he was selling for Rs.55,000 . Earlier he had sold three horses for as much as Rs.80,000 each. Not everyone made a fortune. Nearby, in another tent sat Raju and his family, coming from Deoli village some 150 kilometres away. A behrupia, he had spent 10 days at the festival earning little. Three of his horses had gone for between Rs.10,000 and 15,000. “Whatever little we earned has gone into our upkeep here,” said Raju’s wife. The family will stay the full course of the mela before they return. Atma Ram, who had come with his friends from Badgam village some 80 kilometres away was also downcast. All his friend’s horses were sold, except his. Why?
“Red is not a popular colour, my horse is red (brown)….White and black are valued here. It is the Rajputs and Banias who prefer white for their marriages,” said Atma Ram. A tall and healthy white steed can fetch as much as Rs.4 lakhs, while a black one can go for Rs. 2 lakhs. The horseshoe of a black horse is popularly used as a charm to ward off the evil effects of Shani or Saturn. Phool Chand from Jaipur was grinning because he had bought a white mare for just Rs.75,000. “She’s pregnant… the pony will also give me good money,” he said, satisfied with his buy. Waiting for a truck to take his mare home, Phool Chand said, Ye chara khaigi…hame bhi khilayegi (we’ll feed her and she’ll feed us)”.
In the stadium, transformed into a mela ground, camel and horse races are organised on a regular basis during the mela. Rajasthan tourism knows how to sell the State. Also on ‘sale’ were its exotic moustaches in the form of a competitors from various corners of the State. The kind of enthusiastic camerapersons (mostly white) it attracted would put an Obama press conference into the shade. A whole batch of people, again foreigners, watched the ‘mooch competition’ from their perch on the back of camels. And after the competition the winners were whisked away into tents where white tourists lived their fantasies and the men with long mushs enjoyed their day of fame. Pushkar also attracts an array of colourful turbans along with the moustaches. Beards, turbans, the colourful ghagra-choli of the women, cows, beggars and sadhus make the jostling walk to the Brahma temple a photographer’s delight.
And what’s a mela without mouth-watering food? Along the road, on display are several local fares like mirchi bada, kachoris, samosas and pakoras. There are also the local sweets like rabri, malpua, and others made of pure milk. But competing with the local fare are Lebanese and Italian food like falafel and pizza, not to speak of Israeli and other European dishes. In fact little cafes with exotic names such as Blue moon, Pink Floyd, catering to the ‘foreign tourists’, give a tough competition to the local food. It is this blend of East and West, white and brown, holy and unholy, that make Pushkar both a colourful and mystical destination. Though meat or liquor is banned, the taste of the town lingers long after that hot mirchi bada has been washed down with a cup of chai.

Saturday, 14 September 2013

Short n Sweet....A review in The Indian Express

As a Child Sees



Book: The Sergeant's Son
Author: Ashim Choudhury
Publisher: Rupa
Price: Rs 250
Pages: 244
Kalu, the protagonist of Ashim Choudhury's The Sergeant's Son, is a keen observer, and as he becomes the voice of the first few chapters, you get a child's perspective of a military camp in Kalina, Bombay. We learn that Kalu's family has made this difficult shift to a thriving metropolis from eastern India, that he is as close to his mother as he is distant from his father and that his interests lie in art, much to the disdain of his father, who wants him to join the Air Force. Choudhury's recreation of this little boy's world is filled with amazement and charm.
The Sergeant's Son revolves around this six-member family, Sergeant Samar Biswas, his wife Basanti and their four children, Kalu being the third. The narrative is peppered with endearing anecdotes, and one in particular stands out for containing the winning ingredient of the book — glimpses into a child's mind. During their stay in Bombay, the Biswas children are introduced to their uncle from Assam and his German wife. They are excited about meeting a white lady and their feverish wonder to see her draped in a sari is palpable. When the father dismisses their excited whispers by calling her a "daughter of an ordinary worker" in Germany, you can sense their disappointment.
As the story progresses, Kalu's familiar world disappears in his struggle. His family moves to Allahabad, which is a stark contrast to Bombay. The only constant is Kalu's timid aspiration to become an artist. Basanti constantly tries to save him from his father's wrath, which arises from his own thwarted ambitions. This is a familiar set-up and we yearn to see Kalu's own perspective and understanding. Here, the narrative is lost in a web of its own making as it tries to tie up ends introduced earlier.

Much of the story is probably autobiographical, as Choudhury himself reluctantly joined the Air Force in the 1970s. It is during his training in Bangalore that the idea for the book came along. The last few chapters in The Sergeant's Son take a tumultuous turn, leaving room for a sequel. If it can retain the sensitivity and simplicity of the original, Choudhury's future work will be something to look forward to.

Sunday, 1 September 2013

A Review in The Hindu...!

http://www.thehindu.com/books/books-reviews/narrow-little-lives/article5075510.ece
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Narrow little lives

JAYA BHATTACHARJI ROSE
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The Sergeant’s Son; Ashim Choudhury, Rupa, Rs.250.
Special ArrangementThe Sergeant’s Son; Ashim Choudhury, Rupa, Rs.250.

A competent tale of growing up in a military camp.

The Sergeant’s Son is exactly what the title suggests; the story of Kalu, Sergeant Samar Biswas’s son. Narrated by Kalu, the third of four brothers, the book details his life from his birth in Barrackpore till his departure to Kanpur to join the Air Force as a Radio Telephone Operator. The book, set between mid-1960s and 1977, is about an ordinary life in the Air Force. The children study in the nearest school; their mother, Basanti imposes a strict routine supervising their grooming, meal times, and homework every single day and insisting on prayers every Thursday evening. Their dour father is the disciplinarian whom they dread since he is not averse to beating the sons mercilessly, especially the renegade eldest Taposh or Borda, with a “shoe that was handy or a leather belt that been specially ordered for the purpose.”
The story documents the narrow little lives that the Biswases share with the other “migratory birds” of the Air Force station. A bunch of characters waft in and out of the book, never to appear again — many of the playmates at the station, other personnel like Corporal Dhar and his wife, Kakima, Mathew Uncle, the Vermas, the Anglo-Indian family called Sampios or the teachers like “Blanch teacher” and “Karachi teacher”, and the women who clean the bathrooms. Kalu even describes the few early sexual encounters with Bimla Devi, the maid who seduced him when he was alone at home and with his classmate Amit. Later the Std. IX geometry teacher, Mr. Shankar, assaults Kalu in a drunken stupor.
For someone who speaks and writes English well, a fact acknowledged even by his teachers, Kalu’s obsession with the language is trying. His discomfort presumably stems from the fact that his competence at the language masks his social class but his origins still make him insecure. In Bombay, Kalu and his siblings feel inferior to the five Sampio children even though they never went to school. Since they “spoke the Queen’s Language no one could think poorly of them.” In Allahabad, Kalu “was never truly part of the English-speaking gang. He hovered on its periphery — a low-caste pretending to be a Brahmin; or more appropriately, a soldier’s son trying to mix with officers’ children. The gang mostly consisted of defence officers’ children.” But he realises that his ability to speak fluent English “gave him a passport”, probably to improve his status in life.
A first novel tends to have autobiographical elements in it but the preoccupation with that seems to be the trademark of much Indian fiction in English, with the writer inevitably getting absorbed in minute details. The Sergeant’s Son is no different but it is a story told competently.

Wednesday, 14 August 2013

Helen from Australia writes.....

Hi Ashim,

I read your book soon after returning from India and thoroughly enjoyed it. It gave great insight into life in India and particularly the difficulty for children to create a life outside the structure and religion of the family they grew up in. Heartbreaking to read of dreams unable to be fulfilled because of circumstances. It must have been very difficult for you to even consider imagining you could pursue an artistic dream growing up in your family. I guess this is the situation for so many children the world over where money just is not there to enable children to fulfill their potential.

I was born in 1949 and grew up in the 60s, however life was very different for me. So many choices were available. I am what is called a "baby boomer" - a child born very soon after the war when our parents knew it was important to have lots of children to populate Australia... So lucky am I by accident of birth to be born white in a first world country. I guess parents the world over want the best for their children but this is not always possible.

The characters in the book were highly credible and I found myself caught up in the life you all led with its discrimination, victimization, difficulties and restrictions - imposed and imagined. Such a contrast to my childhood. In many ways yours was a very free and uncomplicated life and I loved your descriptions of places and events. I found the book easy to read with not too many characters or plots to keep track of. I could almost hear you telling the story.
I will do my best to publicise your book - won't be hard as it was such a good read especially for anyone who has been to India.


Regards

Helen Bills

Friday, 31 May 2013

India Post: An interview with the author of The Sergeant's Son ...

http://www.indiapost.com/indian-americans-will-find-my-story-exotic/


‘Indian Americans will find my story exotic’

Ashim Choudhury has attracted some notice with his recently published novel ‘The Sergeant’s Son’ published by Rupa. Here he takes
Ashim
some time off to answer questions e-mailed to him by India Post wherein he talks candidly about the making of the novel, his career with UN, his hobby of painting and future plans:
India Post: Tell us about your background and your journey into writing?
Ashim Choudhury: I’m an out-of-work journalist, doing consultancies, writing, editing. In my spare time I also paint particularly when I’m traveling to the hills. I’ve worked as a public Information officer with the UN for several years, was also there at the UN Missions in Liberia and Sudan. If all goes well I might go back to Africa with one of the UN Missions. I hope to write a book on my African experience some day.
IP: What prompted you to write a story about ‘The Sergeant’s Son’
AC: My father was in the air force. The story of my childhood was something deeply embedded in my psyche. Memories of childhood were something I cherished and held close to my heart. As a child I did dream of being a journalist. The idea of writing a book came in 1977. I was also in the Air Force then, undergoing my training. I would spend a lot of time in the library reading as I could hardly relate with the fellow recruits around me. After I finished reading a book by Dom Moraes; it was an autobiography. I told myself,” The story of my own life would be much interesting.” That’s when the idea of writing this book first germinated. But it was not until twenty years later, three years after I had quit Air force and a year after I had quit a regular job in journalism that I began to write. I was with the UNDP in India then.
IP: So the story is autobiographical?
AC: ‘Yes’ and ‘No’. I’ll say it’s largely inspired by my own life. But it’s not an authentic autobiography.
IP: Does the novel have any parallel to your own childhood?
AC: As I have already said it’s largely drawn from my own childhood. Kalu, the main protagonist, is me to a large extent. So, yes, there is a parallel to my childhood.
IP: How do you think your novel will appeal to Indian Americans?
AC: Why just Indian-Americans? I think it should universally appeal to a lot of people from the English speaking world. They will find it exotic in a way. The book is a portrayal of a bygone era in India. Most Indian readers in their fifties and sixties will be able to connect with their own lives. The book has its own resonance even today. I remember a lady, the wife of a Sergeant telling me. ‘My son read it and said, ‘Ma this book talks of the same things that you also talk about.’ The boy was drawing parallels between his own mother and Basanti in the novel. I think that was a great compliment. For an airman’s son today to see clear parallels with his own life – I think that an achievement.
IP: How would you describe your book?
AC: It’s not a typical novel with a plot. You can call it a social-reality family saga that depicts the angst of a little boy who is talented and wants to become an artist. The story is told from the boy’s point of view. It is a portrayal of lower-middle class life in the India of the sixties and seventies. The reality has not changed for millions of poor children in India who may be talented but cannot follow their dreams for want of money. And then we have this culture deeply ingrained in us, ‘Baap mochi to beta bhi mochi.’ The dynasty syndrome in our polity is also a reflection of this.
IP: Would you sympathies with the Blacks and minorities in America?
Ashim-IAC: Well ‘The Sergeant’s Son’, in a way, is about class struggle. Yes it also touches upon the issue of color discrimination. Kalu is acutely conscious of his dark complexion. It gives him an inferiority complex. The novel sympathizes with the underdog, deals with little unfulfilled dreams and ambitions. Talking of Blacks and minorities in America I am reminded of that book, ‘To kill a Mockingbird’ The Sergeant’s Son has certain parallels to that famous book.
I guess much has changed now. A few years could you have ever thought of a Black American President? But yes there’s a lot of discrimination in the world. Discrimination works at several layers. Visit Delhi’s bungalow zone then go to one of the low-end areas like Mongolpuri or Shahadra and you’ll know what I’m talking about. In the bungalow zone the municipal corporation works like clockwork, in other areas it doesn’t. The Maoist upsurge you are seeing in swathes of India is partly a result of that discrimination. If I was a Muslim living in America, I guess I could have answered your question better.
IP: How was the experience of getting your first book published?
AC: Not a very pleasant one, I would say. Publishers often tend to treat you with disdain. Getting someone to review your manuscript seriously is not an easy task unless you are famous. My manuscript was first given to one publishing house who I kept chasing and chasing and was finally told, ‘Sorry, we’ve misplaced it!’ This kind of a thing happens all the time, particularly when you are a beginner.
IP: Any interesting anecdote that you would like to share?
AC: There was this editor – looking after the publishing arm of a news organization where I worked. I thought this was my opportunity. When I took the manuscript to her she said, ‘What’s this about?’ I told her it was about my own life. ‘Why would anyone be interested to read about your life?’ she asked. I had no plausible answer. She immediately handed me back the manuscript!
IP: And now…Have you tasted success…? How has the response been so far?
AC: This is another grey area. There are no clear systems in place to find out how your book is selling. The publishers don’t tell you. Honestly, I don’t know how the book is selling. Maybe I’ll know after I get my first batch of royalty! But the reviews have been very encouraging. And, more importantly, feedback from ordinary people.
IP: Is there a sequel to the book. For instance, how the life of the protagonist shaped up?
A lot of people have asked me this question. Yes, a sequel is coming, on what happens to Kalu after he joins the Air Force. It’s hilarious! I’m also working on a book of short stories.